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Olympus E520 Digital SLR Camera Kit

Olympus E520

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Key Features of the Olympus E520 :
  • Consumer Digital SLR Camera with 10-megapixel Live-MOS Sensor.
  • Enhanced In-Body Image Stabilization.
  • Works with a Large Variety of Olympus and Sigma Lenses.
  • The Live View Experience.
  • New and Improved HyperCrystal II LCD.
  • Always Find a Face in the Crowd. In Sunshine or the Shadows, Never Miss a Detail.
  • Preview a Multitude of Possibilities. Experience Life under the Sea.
  • Wireless Flash Capability.
  • TruePic III for Image Clarity & Speed.
  • Dust Reduction System for Spot-Free Images. 
  • Easy to Handle, Easy to Operate.
  • 100-percent Digital-Specific Lens for Sharpness and Rich Colors.

The new Olympus E-520 digital single lens reflex (DSLR) camera delivers brilliant images thanks to advanced technologies that help take the blur out. Industry leading Image Stabilization built into the portable camera body compensates for movement so that images are sharp and blur-free with any lens and even at slow shutter speeds. Autofocus Live View brings subjects into sharp focus on the camera’s HyperCrystal II LCD. Together, these technologies produce amazing results, along with the following features that further expand the DSLR experience:

  • In-Body Image Stabilization with Supersonic Wave Drive technology provides blur-free images when using any of the more than 30 digital-specific lenses;
  • Face Detection Technology targets and locks on faces to ensure they are in focus and blur-free for amazing portraits;
  • Shadow Adjustment Technology opens up detail in the shadows that other cameras would render too dark or underexposed while maintaining detail in the highlights; and
  • Perfect Shot Preview enables photographers to view and select White Balance and Exposure Compensation effects right on the LCD, and see how the image will look before they even capture it.
Evolt E520 Highlights

10-megapixel Live-MOS Sensor Get amazingly detailed, colorful and clear images with the 10-megapixel Live-MOS image sensor. This high-resolution sensor captures all the detail needed to make large prints, or even crop without losing detail. The E-520 sensor's high dynamic range, accurate color rendition and low noise characteristics let you capture great images, even at high ISO settings.

Enhanced In-Body Image Stabilization For the first time, in-body Mechanical Image Stabilization has three modes for increased versatility. IS-1 mode for general shooting adjusts the sensor on both the X and Y axes to compensate for movement by the photographer so images stay sharp even at slow shutter speeds. To capture the motion of athletes and animals, and other moving subjects, the E-520 offers two specialized modes. IS-2 mode is ideal for capturing a racecar flying down the track, preserving the sense of motion while panning with the moving subject and holding the camera horizontally to dramatically portray the car’s high speed. For sharp images of moving subjects like a basketball player charging up the court, the IS-3 mode allows a photographer to hold the camera vertically while panning. The artistic effects of panning enhance the shot and render the player in sharp detail with blurred background.

The Live View Experience The portable E-520’s advanced autofocus Live View enables photographers to compose their images and bring them into sharp focus on the HyperCrystal II LCD -- just like a point-and-shoot camera. By simply pressing the shutter button halfway, subjects come into focus on the LCD, so when the perfect moment occurs it is easy to compose, focus and capture sharp images while viewing on the LCD. Live View makes it possible to shoot upward from a low angle for dramatic composition, in close for detailed macro photos of an exotic insect, or over a crowd of people at a tennis tournament.

New and Improved HyperCrystal II LCD The E-520’s viewable HyperCrystal II LCD is the key to its Live View capabilities. While some LCD screens force photographers to squint to preview images in bright sunlight or a dimly lit room, the E-520 features a large, bright 2.7-inch LCD display that incorporates new technology. It also offers twice the contrast for better viewing in extreme light conditions, a larger color gamut that displays a greater range of color detail, and a 176-degree viewing angle.

Always Find a Face in the Crowd The E-520’s Face Detection reduces the chance of blurred subjects in photography by distinguishing between people’s faces and the background. It tracks up to eight faces within the image area even if people are moving and automatically focuses and optimizes exposure for sharp, brilliant portrait pictures.

In Sunshine or the Shadows, Never Miss a Detail Shooting scenes with shadows can be tricky because of the extreme contrast between dark and bright areas. The E-520 addresses this challenge with Shadow Adjustment Technology that compensates for extreme contrast and maintains visible detail in both the shadow and highlight areas of the scene. Now users can preview and capture images showing the shadow detail they saw. This feature is also available in the Edit menu after the shot has been taken.

Preview a Multitude of Possibilities Perfect Shot Preview enables users to preview and select from a variety of thumbnail previews of the photographic effects of white balance and exposure compensation adjustments live on the LCD before taking the photograph. It is an ideal way for novice users to learn about the effects of different photography techniques, visually, without having to scroll through menu options. With 20 preset scene-select modes for every imaginable shooting scenario from underwater photography to fireworks, and program, automatic modes and full manual controls, the E-520 offers a world of possibilities to photographers.

Experience Life under the Sea Olympus will offer the PT-E05 optional underwater housing for the E-520 to allow photographers to document the richness of life in the depths. Capable of reaching depths of 130 feet underwater, the housing will ensure that divers will not miss an image during their journeys to the abyss. Special underwater scene modes on the E-520 will assure that the camera is set up correctly for underwater use.

Wireless Flash Capability Sometimes wireless flashes can help photographers cast the best light on their subjects and capture great images. For this reason, the E-520 is compatible with the Olympus FL-50R and FL-36R wireless electronic flashes that are designed exclusively for digital photography. When these flashes are used in combination with the E-520, wireless multi-flash photography is possible. The E-520 can control up to three wireless flash groups independently, with multiple flash units in each group.

TruePic III for Image Clarity & Speed The 10.1-megapixel E-520’s TruePic III Image Processor produces crystal-clear photos using all of the pixel information for each image to provide the best digital images possible for every photo with accurate color, true-to-life flesh tones, brilliant blue skies and precise tonal representation in between. TruePic III also lowers image noise by one step to reduce graininess in images shot at higher ISO settings, enabling great results in low-light situations.

Dust Reduction System for Spot-Free Images Life moves too fast to spend time worrying about dust ruining the perfect image. Olympus’ proven Dust Reduction System produces spot-free photos with the exclusive Supersonic Wave Filter. The patented ultrasonic technology vibrates to remove dust and other particles from the front of the image sensor and captures it on a special adhesive membrane every time the camera is turned on. These spot-free photos liberate users from hours spent retouching photographs at the computer or sending their cameras back to the manufacturer to remove dust trapped inside.

Easy to Handle, Easy to Operate The E-520 is extremely portable, measuring 5.35 inches (width) by 3.6 inches (height) and 2.68 inches (depth), excluding protrusions, and weighing 16.75 ounces (body only). The new camera has a classic penta-mirror design that is light and compact enough to shoot with all day. It features a comfortable ergonomic grip to ensure that the camera fits snugly in the hand. Beyond its portable size, the E-520 has an expanded menu for greater control and buttons on the body for quick and easy direct access to the most common settings. Accepting both CompactFlash Type I & II, Microdrives and xD-Picture Cards, the camera provides a choice of data-storage options for enhanced flexibility, and it is possible to transfer image files from one card to the other right inside the camera.

100-percent Digital-Specific Lens for Sharpness and Rich Colors The E-520 outfit includes a compact, Zuiko Digital 28-84mm equivalent (ED 14-42 mm Four Thirds) f3.5-f5.6 lens that perfectly matches the imager so light strikes the sensor directly to ensure rich, accurate colors and edge-to-edge sharpness. Its 3x ED Glass zoom lens covers the range most frequently used in photography and weighs just 7.5 ounces, offering users an extremely dynamic, portable, everyday-use zoom. Close-ups as near as 9.84 inches (0.25 m) are possible throughout the zoom range. This lens is part of Olympus’ expanding line of 100 percent digital lenses -- designed specifically for digital photography. Unlike other camera companies, Olympus does not rely on old film lenses, which often result in images with soft edges or other imperfections.

What's in the Box

E-520 body, 14-42mm f/3.5-5.6 Zuiko lens, USB cable, video cable, Li-Ion battery pack (BLM-1), Li-Ion battery charger (BCM-2), shoulder strap, Olympus Master software CD-ROM, manuals and warranty card



Olympus E520 Photo Samples

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These are actual photos taken with Olympus E520.
Photos courtesy of Flickr and belong to respective users. To view a larger image click on thumbnail.

Compare Olympus E520 with similar cameras

Name: Canon Digital Rebel XTi Nikon D40X Olympus E520 Canon Rebel XS
Megapixels: 10.1 10.0 10.0 10.1
Sensor Type: CMOS CCD NMOS CMOS
LCD Screen: 2.5 " 2.5 " 2.7 " 2.5 "
ISO: 100, 200, 400, 800, 1600 Auto, 100 - 1600 (plus 3200 with boost) Auto, 100, 200, 400, 800, 1600 Auto, 100, 200, 400, 800, 1600
White balance Settings: 6 positions & manual preset 6 positions, plus manual preset 8 positions plus manual 6 positions & manual preset
Max shutter: 1/4000 sec 1/4000 sec 1/4000 sec 1/4000 sec
Min shutter: 30 sec + Bulb 30 sec + Bulb 60 sec + Bulb 30 sec + Bulb
Focal length multiplier: 1.6 1.5 2 1.6
Viewfinder: TTL TTL Optical (Pentamirror) Optical
Image stabilizer: No No Yes, Sensor No
Weight (with batteries): 556 g (19.6 oz) 522 g (18.4 oz) 490 g (17.3 oz) 502 g (17.7 oz)
Lowest Price: $529.95 $609.95 $539.00 $469.95
Details: View details View details - View details



Olympus E520 User Reviews

Avg. Rating
5.0
Out of 5
This item is reviewed by 26 people so far.
Click here for complete reviews.

5
Out of 5
Why a DSLR
- Reviewd on: 2008-12-30 By: John C. Henze
When you have superzoom cams like the Panaonic FZ-28 with a zoom from 28-476mm for only $262 why would you go with a DSLR that will become obselete in a year?

I have a system film Nikon but in the flux of e cameras it seems to be almost a throw away to me.

Having said that I love Olympus products..............

5
Out of 5
5-star camera amongst 5-star competition
- Reviewd on: 2008-12-28 By: Jeremy
I've owned an E510 for over a year. Here are a few comments that might help you.

The E520 adds face detection, a vertical panning IS (image stabilization) mode, and an improved sensor with better noise and dynamic range. Conventional wisdom is that it is not worth upgrading an E510, and further that it is worth looking at E510s on markdown if you can find a good deal. The E520, though, is certainly improved.

There are no bad DSLRs any more. They are all really good, although within a given budget and dimension, designers have to prune certain features. Olympus' main feature is the four-thirds sensor - this is one of the smaller sensor footprints available, meaning that lens designs are slightly more compact, but small sensors generate more noise in low-light conditions.

In good light, sensor noise is not a problem. For most consumer-level users, ISOs up to about 400 or even 800 are very good - but most consumers would notice the more grainy, washed out look at 1600. I would rate an ISO1600 shot as unacceptable at 8"x10" on the E510.

The small light circle also makes the Olympus view finder smaller and darker. If you peer through, say, a budget Nikon, the view is noticeably larger and brighter.

However, the E520 has image stabilization in the body, rather than the lenses. Lens stabilization is slightly better - it also works while you are framing up the shot - but obviously you pay for it in every lens. Many Canon/Nikon lenses do not have IS.

Neither the E520 nor the kit lenses are weather sealed. Be careful in the rain or at the beach. Fortunately, the Olympus self-cleaning sensor is probably the best one out there. I have not had to clean my sensor yet.

You will need an extra battery. The focusing in low light gets slow or fails completely as the battery runs down. I have a Duracell spare - it has been fine.

If you are into HDR (and you WILL be), the E-520 offers only +-1 EV brackets. You will have to use a tripod and fiddle with exposure between each shot for other brackets.

I recommend making a "lens plan" to decide whether to get the body only, or a 1 or 2 lens kit.

Olympus is respected for the quality of the kit lenses. These lens (the 14-42 and 40-150) are extremely compact, with good image quality. They primarily give up speed, but they are well within the speed range of other brand's kit lenses. If you buy the kit lenses, you will look jealously at the 14-54, and the 12-60 "walking around" lenses - these are highly regarded but much more expensive. Except for the extra speed, most consumers will not notice the difference on a 5x4 print with these lenses over the kit lenses. With larger prints, or with low light, the more expensive glass is worth having.

Overall, Olympus lenses are highly regarded, even by people who are not fans of the format. Expect to pay $200 to $600 for "Standard" grade, $600 to $1200 for "High Grade", and $1200 to $2000 for "Super High Grade" lenses. Olympus also offers a few obligatory $5000 monsters - these are well into purely-theoretical for an average user like myself.

I added the 9-18 and 70-300 lenses to my 2 kit lenses, for roughly an extra $1000. This gives me coverage from 9 through 300. These are all Olympus "Standard" quality lenses, good image quality, but not weather sealed, and a bit slow.

It is fair to say that the four-thirds system is a bit of a pariah in the camera world. There are a few pro's shooting with it, but you should be aware that Canon has over 60% of the market, and Nikon something like 15%. If you search B&H, you will find pages and pages of Canon lenses, but only 2 pages of Olympus. Many photographers will pointedly sniff at your 4:3 ratio pictures, instead of their "classic" 3:2 ratio. However, 4:3 is a better crop if you often print out 8x10 pictures instead of the small 5x3 or 6x4, and Walmart and many other developers offer a 5x4 size.

I wish there were more lenses to choose from - yet I would still buy the ones I already bought. I wish the noise performance were better - but I have never really lost a shot because of it, and may add an E-30 body to my bag soon. I'm satisfied with the 4/3 format, and very happy with my camera.

You should google up Wrotniak, four-thirds (on Wikipedia), or four-thirds forum for more information.

5
Out of 5
Great buy, great deal, great camera!!!!
- Reviewd on: 2008-12-20 By: crystal tear
I have done a long research before I decided to go ahead with this camera, I was thinking about Nikon, Canon (like most of us), Olympus (in the past I had p&s Camedia 4000 and it was excellent camera) and Pentax.
Finally I decided to buy this one and I am so very happy with the buy!!!
Photos are great and even if you are not advanced photographer you manage to take some good shots! It is easy to operate and relatively light.

4
Out of 5
e520 vs, e510
- Reviewd on: 2008-12-17 By: William Balsam


Although I ended up buying the e510, the reasons might be of interest to people considering the e520 since both are still on the market. To be sure, these cameras have much in common. They both rate excellent image quality, resolution, color accuracy, very low to low noise from ISO 100 to 1600, and very high shadow detail. In addition, they are both of similar shape and easy to hold and handle. Further, like all Olympus DSLRs they are sturdy and have a low frequency of repair rate.

The e 520 improves on the e510 or adds the following features:
1) slightly improved dynamic range,
2) face detection,
3) ability to fire an Olympus flash remotely and still use TTL (the e510 can do this only on manual)
4) bigger LCD screen (2.7" vs. 2.5"),
5) faster processor, and
6) more scenes and profiles.

However, the e510:
1) is slightly smaller
2) is slightly lighter,
3) focuses a little faster, and
4) can be had for less than $550 with 2 lenses.

Size and weight were important in my decision because I take my cameras hiking and the added features of the e520 were not ones I considered deal breakers. However, it was the price of the 2 lens package that tipped me over the edge to buy the e510 as opposed to the e520.

While these are both very good, sturdy cameras there are some annoyances they share.
1. Both apparently have trouble focusing in low light. But, my experience says it has to be pretty dark for this to be a real problem.
2. I was aware of the low light focus problem when I bought the camera and figured one can always switch to manual focus. But, the focus ring on the lens requires a lot of movement making straight manual focus less useful than I had hoped it would be. Fortunately, Olympus includes a mode where you can auto-focus and then touch up manually.
3. Live view works but, compared to point and shoot cameras, is clunky and will never replace using the viewfinder, not that I want to. (I suspect this is true of all DSLR's with the possible exception of Sony and the cheapest camera they have with a Live View equivalent, the A300, costs more.) Live View is perhaps best reserved for macro shots.
4. I'm not sure if this is true of the e520, but on the e510 Live View seems to drain the battery at a very rapid rate. I'd be surprised if I could get 60 Live View pictures from a battery charge. (I've never seen this mentioned in reviews and would be curious if anyone else has had this experience.) However, I do believe the claim of about 500 shots without Live View.

I started photography using a 4 x 5 Speed Graflex (yes I know this dates me), graduated to a Canon film rangefinder, and Nikon film SLRs all the while doing my own darkroom work in B&W. I enjoyed the manual aspects of these early cameras I used and with my digital point and shoots cameras missed easy manual adjustments. I bought this camera so that it would be easier for me to be creative, that is, adjust ISO, f-stop, shutter speed, white balance, etc. And, compared to my Panasonic FZ5, the e510 is much easier to adjust, but still not as easy as my film cameras (not that I would give up digital photography or the digital darkroom). Magazine articles have noted that the menu system is complicated. I don't find this to be true, but then I'm used to Windows. In fact, I find most everything is easily accessible and, at most, just a few clicks away.

As noted above, image quality is excellent. I have yet to try RAW because the SHQ JPEG's with minimal compression (1:2.7) are reputed to be as good as RAW. But, as with all cameras with high mp sensors, be prepared for large files; these SHQ images are 6 - 7 mb. Of course, if you want the image quality advantage of a DSLR large file size is inevitable.

All in all I am happy with the e510. It is a good sturdy camera that produces excellent images. The lenses are lightweight and well matched to the camera. However, with advances in sensor design, I suspect that in the near future superzoom cameras such as the Panasonic FZ28 will provide image quality similar to today's DSLR without the price, bulk, or necessity to carry an extra lens. For folks who don't want to fuss with a camera or extra lenses but want a large range of lens focal lengths, superzooms might already be a better choice than a DSLR.


5
Out of 5
Exceptional Camera at an Unbeatable price
- Reviewd on: 2008-12-16 By: T. Arnold
If you're wanting to step-up from a point and shoot digital camera, but on the fence about a DSLR versus SLR-like camera, then you can purchase the Olympus E-520 with confidence. There is absolutely no other entry or mid-priced system on the market that has the feature set for the price that you can get the Olympus E-520 for. I carefully researched and compared systems that possessed the features important to my family: live view, image stabilization, optical/sensor quality, and finally, PRICE.

Buy it now and you won't regret it. I'm using this camera in Iraq and am amazed at the quality of materials, the brightness of the rear LCD, and the ease of use. I replaced a destroyed Canon point and shoot and felt right at home with this system. The myriad of auto function and shooting modes ensures virtually idiot-proof quality photographs that you will be proud to share with family and friends.

If you can't already tell, I highly recommend this camera. I'm even thinking of purchasing an Olympus E-420 for my wife to replace her aging point and shoot when I return from Iraq.